Now perhaps making a whole book was aiming a little high but a page from the book certainly seemed do-able. I squared up the reference in Photoshop, taped it down onto my light box, then, using my dip pen, began to trace.
I take any excuse to get my dip pen out... |
I made steady progress working on my lunch hours and in front of the television in the evenings. It was quite relaxing.
The larger areas of black I filled in with brush and ink.
Some of the black took a couple of coats. |
Once all of the blackwork was done I switched to a blue ink and continued filling in detail.
The blue was slightly more solid than I might have liked. Was happy with the effect in the end though. |
I had to mix up a darker blue for a couple of areas. I used burnt sienna watercolour for the Royal Seal in the top right.
Next I had to add the gold. It looked like the book at the exhibition was gilded using a gold pen or paint rather than leaf. I decided to use an acrylic gold to illuminate the design (and as it's acrylic if I ever decide to leaf the gold further down the line the surface is already sealed). I squeezed a small amount onto a jar lid and using a fine brush began to work.
I'd recommend keeping a separate set of brushes for use with metallics or you'll start seeing twinkles turning up in your flat paints. Glitter gets everywhere.
I found a couple of variants of the design online with different areas painted gold. I mostly followed the version from the exhibition although I left the roots free from gold. Don't want to over do it after all. There are a couple of changes I might make later but I'm going to call it done for now. I guess my next task is to make the facing page but that's going to have to wait, for a while at least.
If you fancy taking a crack at making your own Hellboy Manuscript I've included the primary reference pic I used below, or you could download >>this scan of my work<< and all you need to do is add some gold. Enjoy!
This looks amazing! You’ve really captured the look and feel of the original Hellboy manuscript. The attention to detail, especially the gold, is fantastic. I can't wait to see how the facing page turns out!
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The gold acrylic you used really shines! It looks just like the gilding in the exhibition photos. I’ve tried similar techniques, but you’ve nailed the application—subtle, yet striking.
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Great tip about keeping separate brushes for metallics! I’ve ruined so many brushes with glitter. I’ll definitely be more careful with my supplies moving forward.
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Thanks for sharing the scan of your work! I’ll definitely give this a try. The reference image is perfect, and it’s nice to have such a detailed starting point.
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You mentioned making the whole book eventually—imagine how awesome that would be! If you decide to continue with the full manuscript, I’d love to see it. Keep up the amazing work!
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